“B-CLASS JOKES” at the Jeonbuk Museum of Art brings together 22 artists to explore “B-grade language” and juxtaposition, challenging boundaries between mainstream and marginal, normal and abnormal, while highlighting those alienated within capitalism. The works weave fragmented realities into new possibilities for collective experience.

Ilssang Practice translated this concept into the catalog by referencing Guy Debord’s The Naked City (1957). Fragments are reassembled through subjective perception, forming a layered visual structure. Multiple typefaces are used to reflect the fragmented nature of individuals through typography.