The exhibition <Even on the day when waiting ends>, hosted by the GMoMA(Gyeonggi Museum of Modern Art), conveys a wish for recovery from the climate crisis caused by humanity. This exhibition presents a story of symbiosis, wishing for humanity’s recovery from nature’s perspective, through diverse artworks.

Everyday Practice defined the exhibition’s direction as ‘A Panorama of Recovery’ and developed diverse motifs symbolizing primordial lifeforms. These motifs, proliferating through the Fibonacci sequence numbers found in natural phenomena, converge to create a single panorama. The panorama of diverse lifeforms is recreated in different ways across each medium, clearly conveying the exhibition’s context.